Tapegerm Collective – Germination Vol. 1 No. 26 (CD, 2002)

No.5208

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GAJOOB Review by Bryan Baker, :

Tapegerm Collective’s “Germination Vol. 1 No. 26” is a captivating sonic journey that seamlessly weaves together diverse musical elements into a cohesive whole. Released in 2002, the album showcases the collective’s ability to create an immersive auditory experience that pushes the boundaries of conventional music.

The opening track, “Octopus Wrestling,” sets the tone for the album with its quirky title and intriguing sonic experimentation. The mix by CRT is both playful and engaging, drawing the listener in from the very first note.

“Adonis,” the second track, features loops by International Garbageman, Thomas of Autocad, Mike Merz, Chris Phinney, and Cory Hill. The mix by Cory Hill showcases a well-crafted blend of sounds that is both eclectic and harmonious.

The fourth track, “Noisederm,” is described as a funky, loud piece. With loops by Bev Stanton, Mobile Sound Unit, and Araden, the mix by AutoCad creates a vibrant, energetic soundscape that is sure to get listeners moving.

“What I could forget” stands out for its chaotic beats layered over subtle undertones of jazz and ambience. The mix by ‘they’ and samples by various artists create a rich tapestry of sound that is both chaotic and harmonious.

“Talking to the Trees” and “Penumbra,” mixed by Cory Hill, continue the album’s trend of sonic exploration, while “Industrial Skating” offers a historical perspective, painting a picture of London after the Industrial Revolution.

“Clash or the Protozoans” brings high school biology to life in a unique and entertaining way, and “Zinc Wood Meat” showcases the mixing prowess of International Garbageman.

“Spin Me Round” and “Wine” further demonstrate the collective’s ability to blend diverse loops into cohesive tracks, while “Metro Morning” and “Luminosity” offer a more relaxed listening experience.

“A Virtuoso Display ov Psychic Energy” is a standout track, featuring loops by an extensive list of artists and additional instrumentation by Chris Phinney. “Gapov Chasm” and “Last Stop… Hellsville” wrap up the album with their unique blends of loops and mixes.

Overall, “Germination Vol. 1 No. 26” is a testament to Tapegerm Collective’s innovative approach to music. Each track offers its own unique flavor, yet they all come together to form a cohesive, engaging album that is sure to captivate listeners.

Media: CD.

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There seems to be structure; but it’s obliterated by a mix that strangles the music when the vocalist comes in.gajoobzine.com/albums/rrope-vienna-noise-choir-split-vinyl-1994/

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